Wednesday, March 20, 2013

Ode to Alvin Ailey’s Revelations



Whenever I need dance inspiration or have dancers “block” I have always researched and watched Alvin Ailey dances. Years ago I have had the pleasure of seeing them in a live performance at the University of Buffalo. But every now and then I pop in a DVD or watch them on You Tube. And believe me it is truly healing for the soul.

Me in dance mode!

The Alvin Ailey American Dance Theater’s epic performance “Revelations” takes you on a journey through slavery to freedom in a series of dance pieces. This performance has been respected and loved by all generations throughout the world as it explores the hardships and victories that African-Americans faced in history. Revelations breaks the racial barriers and has been replicated and studied by many other dance schools and companies.





Founded in 1958, original Choreographer of the Alvin Ailey Dance Theater, Alvin Ailey, born in the root of the South, musically used a combination of the blues, sermons, biblical references and gospel spirituals to portray grief and joy through dance. His artistry correlates various styles of dance including modern, ballet, and African which in my opinion, is nothing short of a masterpiece.

Every last dance section carried grace and perfection, but some pieces stood out not only because of the stunning dance movement and intricate choreography but the story that was being told.

One of Ailey’s most memorable works is “Wade in Water”, it’s poetry in motion is about the purification and sanctification of Baptism. Just visualize male and female dancers in white costumes and umbrellas, white and blue billowing stretched across the stage interpreting water. Each element enhanced the performance creating a narrative yet surreal setting. There was much grace and fluidity in the dance moves and was definitely ballet inspired.


Another stand out piece of Revelations is “Fix Me Jesus.” where Ailey used the partnership of a male and female dancer in his choreography. I absolutely love the dance lifts, control and the emotion that this performance brings. There is strength yet vulnerability between the two dancers. With its simple stage design and lighting, it made the viewer focus more on the dancers and their exquisite technique.



One of my favorites “Rocka My Soul” (In the bosom of Abraham) is a jubilant piece, performed with male dancers and women in vibrant yellow dresses and hats, swinging their church fans, stools used a prop, giving the audience the experience of the Black Baptist Church in the south. Ailey’s approach to the choreography was non restrictive, energetic as well as soulful. It symbolized liberation through a series of jumps, leaps, clapping and quick elegant turns. He used repetitive movement in a variety of tempos and patterns. It was not just entertaining but an experience to watch!


Ailey’s work is a depiction of culture, humanity and grace. Not only is this just dance but a metaphor for life. There will be sorrowful times and times of joy but throughout it all there is always hope.

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